The ontological questions of the image and the exhibition highlight a dualistic and dichotomous system of thought that separates Nature and Culture, Self and Other, Subject and Object. They allow a formal translation of the relationship that art history has with the material, institutional and cultural conditions of the construction of images as a surface effect. Theatres, gardens, bestiaries, museums and greenhouses thus appear to be appropriate models of study suitable for mapping out a critique of the conception of the image and its exhibition as it was inherited from Europe.
Richly documented, Effet de Serre brings together previously unpublished essays by Clelia Coussonnet, Adnen Jdey, Hedi Khelil and Farah Khelil.
Effet de Serre by Farah Khelil: Book Signing
Current event
lilia ben salah, 6 avenue Delcassé, 75008 Paris
A partir de 15h